Bach Bibliography Search Result

Series : ^[cr]Moskva2012$
Year : 2016
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Wollny, Peter	Prekrasnye ital'ânskie muzykal'nye vesicy na nemeckoj zemle': O tom, kak socinâli muzyku posle Tridcatiletnej vojny. ['The lovely Italian music on German soil': Music composition after the Thirty Years' War] trans. Ol’ga Vladimirovna Gero.	[cr]Moskva2012			2016	16-50
	2.	Gero, Ol’ga Vladimirovna	Ostinatnye i riturnel'nye formy v Laudate puerri Dominum na primere proizvedenij oz Dûbenovskoj kollekcii. [Ostinato and ritornello forms in the settings of Laudate puerri Dominum: Examples of the works at the Düben collection]	[cr]Moskva2012			2016	62-80
	3.	Mal'ceva, Anastasiâ Aleksandrovna	Muzykal'no-èkzegeticeskij podhod v kontekste muzykal'noj ritoriki nemeckogo barokko. [Musical-exegetical approach in the context of the musical rhetoric of the German Baroque]	[cr]Moskva2012			2016	92-102
	4.	Glöckner, Andreas	'...Velikij muzykant, a ne škol'nyj ucitel'...': Zametki na temu—Iogann Sebast'ân Bah—kantor, kapel'mejster, muzykal'nyj direktor. ['...The great musician, not a school teacher...': Notes on the Johann Sebastian Bach as cantor, kapellmeister, and music director] trans. Ol’ga Vladimirovna Gero.	[cr]Moskva2012			2016	111-123
	5.	Wolff, Christoph	Kak zvucala 'muzyka prežnego roda'? [How did the music of the older generation sound?]	[cr]Moskva2012			2016	136-156
	6.	Glöckner, Andreas	Utracennaâ so vremën okoncaniâ vojny: O sud'be staroj notnoj biblioteki školy Sv. Fomy v Lejpcige. [Lost since World War II: The music library of the Thomasschule zu Leipzig] trans. Ol’ga Vladimirovna Gero.	[cr]Moskva2012			2016	165-182
	7.	Dirksen, Pieter	I.S. Bah i tradiciâ horal'noj partity. [J.S. Bach and the choral partita tradition] trans. Ol’ga Vladimirovna Gero. [BWV 766-770]	[cr]Moskva2012			2016	192-200
	8.	Dirksen, Pieter	Kantata Erfreute Zeit im neuer Bunde i rol' skripki v kantatah pervogo lejpcigskogo godovogo cikla I.S. Baha. [The cantata Erfreute Zeit im neuer Bunde and the role of the violin in Bach's first Leipzig Jahrgang] trans. Ol’ga Vladimirovna Gero. [BWV 83]	[cr]Moskva2012			2016	209-228
	9.	Âncenko, Olesâ Aleksandrovna	Selig ist der Mann BWV 57 I.S. Baha kak duhovnyj dialog vysšego porâdka. [Selig ist der Mann BWV 57 by J.S. Bach as a sacred dialogue of a higher order] [BWV 57]	[cr]Moskva2012			2016	245-254
	10.	Nasonov, Roman Aleksandrovic	Vos'moe slovo Hrista: O duhovnom smysle arii Flösst, mein Heiland s ègo iz Roždestvenskoj oratorii Baha. [The eighth word of Christ: On the sacred meaning of the echo aria Flösst, mein Heiland from J.S. Bach's Weihnachts-Oratorium] [BWV 248]	[cr]Moskva2012			2016	264-271
	11.	Vâzkova, Elena Vasil'evna	K voprosu o tipologii rukopisej i o tvorceskom processe I.S. Baha. [The typology of manuscripts and the creative process of J.S. Bach] [BWV 606, 1080]	[cr]Moskva2012			2016	280-292
	12.	Merkulov, Aleksandr Mihajlovic	Kadenciâ solista v XVIII–nacale XIX veka: Mify i real'nost'. [Soloist cadenza in the 18th and early 19th centuries: Myths and reality]	[cr]Moskva2012			2016	302-318
	13.	Wolff, Christoph	Mocart i Bah. [Mozart and Bach] trans. Ol’ga Vladimirovna Gero.	[cr]Moskva2012			2016	335-350
	14.	Gero, Ol’ga Vladimirovna; Nasonov, Roman Aleksandrovic (eds.)	I.S. Bah i muzykal'naâ praktika nemeckogo barokko / J.S. Bach und die musikalische Praxis des deutschen Barock. Moskva, Russia: Gosudarstvennaâ Konservatoriâ imeni P.I. Cajkovskogo, 2016. 360p. ISBN: 978-5-89598-323-2; 5-89598-323-5.	[cr]Moskva2012			2016	360p